Modern Adaptations on Classic Theatre

Molière, Shakespeare, Rostand… the mere mention of these greats can make people recoil in fear. The texts can seem vast and impenetrable, referencing Ancient Greek gods in 16th century language. There is however, a reason that these classics are loved and continue to play, even to this day: beneath the flowery language, outmoded cultural references and iambic pentameter lie simple, deeply human stories — of love, revenge, jealousy, fate, and ambition.

Making these classics accessible to contemporary audiences while remaining faithful to the original text is no easy feat. Directors must walk a fine line between modernity and tradition, making sure not to distort the original text nor alienate the audience. We’ve compiled some of our favourite modern adaptations that master this balance, so you too can experience these classics anew.

Cyrano de Bergerac at Théâtre Le Ranelagh

Having first debuted in Paris in 1897, Rostand’s classic has been adapted many different times — including the 1987 hit film Roxanne, featuring Steve Martin. At Théâtre Le Ranelagh, director Jean-Philippe Daguerre breathes new life into the play by blending live music with performance. A virtuoso violinist stands at the back of the stage at all times, scoring the play as it takes place, offering an element of depth and spontaneity. “Parisian theatre in all of its splendour. A classic play with modern staging and acting,” says one reveiwer.

The Miser (L'Avare) at Théâtre Le Ranelagh

Also the director of Molière’s The Miser, it is clear that Jean-Phillipe Daguerre has a knack for bringing traditional theatre to modern audiences. First performed in 1668, the folly critiques greed through the character of Harpagon, whose obsession with wealth leads to a series of comedic events. This adaption focuses on the physical humour of the text, its energetic pacing and visual gags, rendering the 350+ year old play accessible to all ages. Le Figaro agrees: “Molière’s classic is brought to life by a lively cast with a burlesque edge.”

Macbeth at Comédie-Française

Did you know that Shakespeare’s Macbeth was itself an adaptation? He drew heavily from his second edition copy of The Holinshed Chronicles (1587), transforming the source material into something darker. Holinshed’s youthful nymphs became the sinister Three Witches; Macbeth, once depicted as a fair ruler, became a tortured tyrant. Director Silvia Costa takes this darkness further in her staging at the Comédie-Française, adding a modern psychological depth that reimagines Shakespeare’s classic in a bold, compelling way.

Le Misanthrope at Théâtre Le Ranelagh

Though first performed in 1666, Molière's The Misanthrope remains strikingly relevant. Social niceties, polite lies, and small talk are still as inescapable (and absurd) today as they were 350 years ago! Director Thomas Le Douarec opts for modern costumes and staging, offering new readings of the characters—is Alceste a naive idealist or a downright misanthrope? Is Célimène a simple coquette, or an early example of an emancipated woman? With his “brilliant, modern transposition that works perfectly with Molière's text” (France 3 ), Le Douarec proves that centuries-old language can still provoke laughter (and thought) today.

Le Cid at Théâtre Le Ranelagh

Once again, it’s Jean-Phillipe Daguerre, this time offering his contemporary take of Corneille's 1637 classic Le Cid. Sword fights, exquisite costumes and Spanish music bring 11th century Spain to life onstage, honouring the 17th century text. However, the production infuses the play with contemporary energy through bold direction, creative staging, and expressive performances, making it accessible and engaging for modern audiences. The show’s reviews praise the talented troupe, the chemistry of the main characters.

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